Who we are. What we make. Who we make it for.
FesteVale is a maker of tools for the creative life — planners, journals, vocabulary guides, and frameworks built specifically for people who work in the creative and performing arts.
We make things for freelancers, musicians, artists, writers, and performers — people whose financial and emotional lives don't fit neatly into the tools built for everyone else.
Latin for festival. The feast day. The abundance. The lanterns lit, the crowd gathered, the work celebrated. The days you work toward.
Latin for farewell and the valley — the passage, the grief, the low between celebrations. The place you have to walk through to reach the next festival.
The creative life is both of these, always. FesteVale tools are built for both — for the feast days and the valley days, without pretending one doesn't exist.
FesteVale is for anyone building a creative practice — whether you're in the first terrifying year of freelancing, decades into a performance career, or somewhere in the long middle.
It is especially for people who:
The FesteVale figure holds both Feste and Vale simultaneously — barefoot, robed, unguarded. She is the festival and the farewell. She is what it looks like to carry both without collapsing under either one.
Actor. Writer. Counselor. Former finance professional. FesteVale grows out of a life that has moved, with intention, through each of these worlds.
A professional performance career spanning decades of theatre, film, and voice work — and the lived knowledge of what it costs and what it gives. Essays on key roles across that career are gathered in a forthcoming actor's autobiography.
For the full performance resume and recognition: adriandeane.com →
A decade working in financial services in the Greater Bay Area — inside the money world, watching it from the perspective of someone who also lived the artist's life. That gap — between how finance speaks and how creatives actually live — is where FesteVale was born.
A Master of Science in Clinical Counseling grounds the emotional and psychological dimension of FesteVale's tools — the belief that the inner life of a practice is not a distraction from the work, but is the work. The journals, the consulting, the framework — all of it comes from this.
Academic essays on theatre and grief appear in the Eugene O'Neill Review — "My Anna Christie" (No. 45.2, Spring 2024) and "Mourning Lavinia, Becoming Electra" (forthcoming, Spring 2026). A poetry collection, Let Love Let Go, and the book FesteVale are also in progress.
Tools for wherever you are in the work.